Chess RU

Part III · Openings Chapter 24 of 40

Closed games

After 1. d4 d5 the game develops more slowly than in the open games: the queen defends the d4 pawn, and quick blows against the centre do not work. We look at the Queen's Gambit and its branches, the Slav, the minority attack and the systems in which White builds the same setup against any reply.

Amateur 40 minutes
  • openings

What to know first: 20 · Opening principles and typical mistakes

What you will learn

  • understand why White plays 2. c4 and why the Queen's Gambit is not a real gambit
  • know the plan of the minority attack in the structure with pawns on d4 and d5
  • recognise the traps of the Queen's Gambit Accepted and the Albin Countergambit, and the blows in the London and the Stonewall

A game on lichess.org, 2014. White has built a Stonewall: pawns on c3, d4, e3 and f4. The d3 bishop and the c2 queen stand on one diagonal and aim at Black's kingside. Black's pawns stand on f6 and g6, and only the h7 pawn defends g6. White to move.

White to move, a game on lichess.org, 2014. Mate in two.

Bxg6+: the bishop takes the pawn with check. After …hxg6 the queen's diagonal opens, and Qxg6#. The e8 king cannot escape: the queen covers f7, and d7 and f8 are occupied by Black's own pieces. Full game.

A bishop and queen on one diagonal form a battery, and in closed openings it turns up all the time. The centre is locked by pawns, pieces slowly gather near the king, and one extra weakness decides the game. In this chapter we see how the openings after 1. d4 d5 work and how their fight differs from the open games.

How 1. d4 differs from 1. e4

After 1. e4 nothing defends the e4 pawn, and Black can attack it at once. After 1. d4 the queen on d1 defends the d4 pawn. So the centre is built more slowly: neither side hurries, both develop pieces and prepare pawn blows. The openings after 1. d4 d5 are called closed: the centre stays under pawns for a long time, and lines open later.

The main tool in such positions is the pawn break: a pawn move that attacks an enemy pawn and opens lines. In the French you have already seen the breaks …c5 and …f6. Here the most important break is White's, and White makes it at once.

White most often plays 2. c4 here. Why?

The c4 pawn attacks d5. If Black takes …dxc4, White gets the upper hand in the centre and can play e4. If not, the tension remains, and Black has to decide how to support the d5 pawn. This is a pawn break at the very start of the game.

In closed openings the move order matters. The same position arises after 1. d4 d5 2. c4 e6 and after 1. c4 e6 2. d4 d5. Such coincidences are called transpositions. Players use them to avoid a line the opponent likes: the move order changes, but the position they want stays. That is why in closed openings it is more useful to know typical setups than long lines.

The Queen's Gambit

The move 2. c4 is called the Queen's Gambit. It has been known for a long time: it was analysed in a manuscript from the end of the 15th century. But it cannot be counted as a real gambit. If Black takes the pawn, they can hardly keep it: White wins it back, for example with e3 and Bxc4. Attempts to hold the extra pawn cost Black more than the pawn itself.

Here is the classic trap of the Queen's Gambit Accepted. After 1. d4 d5 2. c4 dxc4 3. e3 Black defends the pawn with 3… b5. White undermines it: 4. a4 c6 5. axb5 cxb5, and the queenside pawns are gone. Look at the long diagonal.

White to move. A study position: 1. d4 d5 2. c4 dxc4 3. e3 b5 4. a4 c6 5. axb5 cxb5.

Qf3: the queen attacks the a8 rook along the long diagonal. Black can block with the knight, …Nc6, or the bishop, …Bb7, but the queen takes the blocking piece: Qxc6+ or Qxb7 with a new attack on the a8 rook. Black was defending the c4 pawn and forgot that the b7 and c6 pawns had been covering the diagonal.

More often Black declines the pawn and holds the centre with 2… e6. This is the Queen's Gambit Declined. It was the main opening of the 1927 world championship match between Alekhine and Capablanca: it was played in most of the games. Its main line is the Orthodox Defence.

The starting position. Watch the c- and d-pawns. White attacks the d5 pawn from the side: the Queen's Gambit. The e6 pawn defends d5. As in the French, it shuts in the c8 bishop. The g5 bishop pins the f6 knight to the queen on d8. The move …Be7 breaks the pin: now the bishop stands between the knight and the queen. Both sides have developed. Black has to solve the defence's main problem, freeing the c8 bishop. Usually Black prepares the break …c5 or …e5 for this.

The plans of both sides in the Declined are well known. White puts a rook on c1 and presses down the c-file, and sometimes plays cxd5 to get the Carlsbad structure, which we come to below. Black fights for a tempo. It pays to take …dxc4 at the moment when White's bishop has already gone to d3: then the bishop has to move a second time, and Black gains a move for the break …c5. This subtle fight over a single tempo is typical of closed openings.

The Declined also has a trap familiar from the chapter on opening principles, the Elephant Trap: White takes the d5 pawn with a knight, thinking the f6 knight is pinned, and loses a piece. It is a good example of a pin against the queen not being absolute: the pinned piece may move if it wins more in return.

Black's sharpest answer to 2. c4 is the Albin Countergambit: 2… e5, giving up a pawn in turn. Adolf Albin played it in New York in 1893 against Emanuel Lasker. After 3. dxe5 d4 the d4 pawn digs into White's camp. The careless move 4. e3 leads to a trap called the Lasker Trap: 4… Bb4+ 5. Bd2 dxe3.

White takes the bishop: 6. Bxb4. The engine calls this move a blunder. The e3 pawn takes …exf2+, and the king cannot take it: Kxf2 is met by …Qxd1, since the d-file is open. That leaves 7. Ke2. Find Black's next move.

Black to move. A study position: the Lasker Trap after 6. Bxb4 exf2+ 7. Ke2.

…fxg1=N+: the pawn promotes to a knight, and it is check. Promoting to a queen is weaker: White trades queens with Qxd8+ and takes the new queen with the rook, Rxg1. After the knight promotion, 8. Rxg1 is met by …Bg4+, and the bishop hits the d1 queen through the king. If the king retreats instead, Black stays a piece up with an attack.

The Slav and the minority attack

The Slav Defence, 2… c6, solves the c8 bishop problem the same way as the Caro-Kann: the c6 pawn supports d5, and the bishop comes out before …e6. Its main line looks like this.

The starting position. Watch Black's c-pawn and the c8 bishop. The c6 pawn supports d5, and the c8 bishop's diagonal stays open. Once White has developed the knights, Black takes the c4 pawn. The move …b5 would defend it, and White stops it at once. The a4 pawn keeps Black's pawn off b5. White will win back the c4 pawn later. The bishop has come out to f5 before …e6. That is the idea of the Slav.

If Black combines …c6 and …e6, the result is the Semi-Slav. The c8 bishop again stands behind the pawns, but the c6, d5 and e6 pawns form a solid triangle, and Black later prepares the break …c5 or …e5. The Semi-Slav is considered one of the most complex systems against the Queen's Gambit, and it is chosen by players ready for sharp play.

After the exchange on d5 in the Declined a structure arises that is called the Carlsbad structure: White has pawns on d4 and e3, Black on c6 and d5, and White has no c-pawn and Black no e-pawn. In it White has a famous plan.

On the queenside White has two pawns, a and b, and Black has three, a, b and c. What queenside plan is typical for White here?

This is the minority attack. White pushes the b-pawn to b5 and trades it for the c6 pawn. After the trade Black is left with a weak pawn: either c6, backward on a half-open file, or d5, left without support. White's rooks on the c-file attack it for the rest of the game.

The minority attack sounds odd: two pawns attack three. Its aim is weaknesses; it does not need a breakthrough. Black has to defend the backward pawn with pieces, and White gets a lasting edge without risk. Black in turn looks for play on the kingside, where they have more room, or trades pawns in a way that creates no weaknesses.

In practice the minority attack looks like this: a rook goes to b1, the pawns advance b4, a4 and b5, and the knight and queen support them. Black often puts a knight on e4 and prepares …f5 to attack White's king while White is busy on the other wing. A race again: each side plays where it has more room.

Systems for White

Many White players do not want to learn the Queen's Gambit with all its branches and play a system: the same setup against any reply. The most popular is the London System: d4, Bf4, e3, Nf3, c3, Bd3 and Nbd2. In recent years even the strongest players, Magnus Carlsen among them, have played it willingly. The bishop comes out to f4 before e3, by the same recipe Black uses in the Slav.

White to move, a game on lichess.org, 2014. The London System: a bishop on f4, pawns on c3, d4 and e3. The black queen has come out to f6.

Bg5: the queen is attacked and has nowhere to go. The c2 bishop covers g6 and f5, the f3 knight and the d4 pawn cover e5, the e3 pawn covers f4, and the g5 bishop itself covers e7, d8 and h6. All Black can do is give up the queen for a bishop or a knight. Full game.

A queen that comes out early to a square in front of its own pawns is easily trapped: its own pawns and the enemy pieces take away every retreat. This rule from the chapter on opening principles works in closed positions too.

Against the London Black has several tried and tested setups. The move …c5 strikes at the centre, and a queen on b6 attacks the b2 pawn, which the f4 bishop no longer defends. The move …Nh5 offers to trade White's strong bishop. Black can also bring the c8 bishop out to f5, mirroring White's setup. Each setup requires knowing a couple of precise moves, and whoever knows them equalises easily.

Another system is the Stonewall, the opening of the game that began the chapter. White puts pawns on c3, d4, e3 and f4 and a knight on e5. The d4 and f4 pawns hold this knight firmly, and it stands right in the centre, eyeing f7 and g6. The only pawn move that can drive it away is …f6, and that weakens Black's own king. The d3 bishop, the queen and sometimes a rook on the f-file attack the king. In the Colle System White builds a similar setup, only without f4, and prepares the break e4.

Systems are handy because the plan is known in advance, and the time on the clock goes on calculation: there is hardly any theory to recall. But they have a weakness too: White barely fights for an edge in the opening. If the opponent has placed the pieces sensibly, the position is equal, and the middlegame decides everything. For a player just starting to build a repertoire this is rather a plus: less to memorise and more to play.

The Stonewall has a price. Which square in White's camp has become weak?

The d4 and f4 pawns have moved forward, and no white pawn can defend e4 any more. A black knight on e4 stands as firmly as the white one on e5. That is why Black often puts a knight on e4 against the Stonewall.

The e5 knight is the Stonewall's main attacking piece. It guards f7 and helps the queen reach the king.

White to move, a game on lichess.org, 2014. The Stonewall: a white knight stands on e5, and Black's king is still in the centre. Mate in two.

Qxh5+: the queen takes the knight with check. The king goes to f8, and Qf7#: the e5 knight guards f7. Full game.

Typical mistakes

Black's most common mistake in closed openings is shutting in the c8 bishop and forgetting about it. In the Declined it stands behind the e6 pawn, and without the break …c5 or …e5 it stays passive until the endgame. The second mistake is clinging to the extra c4 pawn in the Accepted. The moves …b5 and …a6 weaken the queenside and the long diagonal, and White wins the pawn back anyway.

White more often goes wrong by playing a system blindly. The London and the Stonewall are good because the setup is known in advance, but the opponent knows it too. If Black quickly brings the queen to b6 against the f4 bishop, the b2 pawn needs defending. If a black knight lands on e4, it has to be traded or driven away. A setup does not replace looking at the board.

Both sides should remember that a closed centre does not mean a safe king. The attack in closed openings comes slowly, but once the pieces have gathered near the castled king, one blow is enough. The games at the start and the end of the chapter are examples: in both the mate took two moves, and the king stood behind weakened pawns or in the centre.

How to choose

If you play White and like clear plans, start with the London or the Stonewall: they need less theory and teach you to gather pieces for an attack. If you want rich positions with a fight for the centre, learn the Queen's Gambit: White gets an edge more often there, but there is more to know.

Against 1. d4 Black should choose one solid setup. The Declined and the Slav give a firm centre and clear plans. The Albin Countergambit is sharper, but White players who know it get an edge. Study the traps of this chapter from both sides: in fast games opponents fall into them all the time.

Remember transpositions. If you play the Slav, White can reach it via 1. Nf3 or 1. c4. If you play the London, Black can answer 1… Nf6, and the position belongs to the next chapter. Prepare the setup and its ideas: one sequence of moves will not be enough.

To check yourself, play a few games with your chosen setup and go through each one on the analysis page. Note when you made your first pawn break and where the c8 bishop went. If the bishop never came out by the end of the game, that is exactly where to start working on your opening.

In the London System White brings the bishop out to f4 before e3. Why in this order?

After e3 the e3 pawn would block the c1 bishop's c1–h6 diagonal. White brings it out in advance, just as Black brings out the c8 bishop in the Slav and the Caro-Kann. The question "where does the bishop go before the pawns block its way" comes up in almost every closed opening.

What's next

Black does not have to answer 1. d4 with 1… d5. The move 1… Nf6 leads to the Indian defences, where Black first controls the centre with pieces and only later decides where to put the pawns. They and the English Opening, 1. c4, are the subject of the next chapter.